The Amityville Horror was another book group pick (nominated by me as well). It’s always interested me as it is supposed to be based on real events from the mid 1970′s. There have been numerous films, sequels, magazines articles and books written on the subject but this is the original one that started it all, written from transcripts of conversations had with the protagonists. If you want to delve into the history and what not of it all, there is a good Wikipedia article on the matter here.

This is proper 1970′s horror fare, setting a lot of what are now clichés in the horror genre including that good old built on an Indian burial ground that seemed to be trotted out in every B movie for a decade. But to be brutally honest, unless you’re interested in the background and the surrounding events, this probably isn’t the book for you. It was written about 6 years after Blatty wrote the Exorcist, probably the seminal 1970′s horror story (ignoring Stephen King for a moment) and couldn’t be further away from it if Anston had tried. Put simply, the man cannot write. Any one that uses exclamation marks in general prose should be given a good kicking in my book and he does this frequently from early on.

One of the group did say he was scared by the book but I can’t help thinking this was despite the way it was written rather than because of it. Some of the aspects contained within the book are unsettling, the basic premise is fundamentally scary in itself but it is let down by the writing that veers from novel to commentary page by page, with comments like “later on when they discussed it the Lutz’s felt…” peppering the text. When a book is neither an intelligent written selection of transcripts (lets not forget Dracula was written as a variety of journal entries and letters) or a novel in its own right, it’s difficult to get fully immersed in the story. This is a shame really as the main protagonists, George and Kathy Lutz, do have some decidedly odd things happen to them. Phantom embraces, odd behaviour, flies infesting rooms in the dead of winter, it’s all there really.

It is a fairly short read, which is why the book group went for it. I can’t help but think if we could have looked past the page count, then The Exorcist or The Shining would have been a profoundly more rewarding read, despite not being based on alleged true events.

Is it worth as read? As I’ve mentioned earlier, if the actual story itself is of interest to you, if you like reading about real life hauntings and so on, it probably is but if you’re actually after reading a well crafted book, in my humble opinion, you’re better off looking elsewhere.

I bumped into the dynamic duo of Jamie Mckelvie and Kieron Gillen at an under attended comic convention in Hatfield recently. I was on my way back from a free screening of a Ben 10 film with our 3 year old that my wife fortunately escaped. Mr Gillen was vaguely known to me via his journalist efforts of the past decade or so and it had been an interesting experience to find out he was taking over writing duties on Marvel’s The Mighty Thor- one of their top titles.

Phonogram though is Gillen’s own title, adeptly illustrated by the pen of Mckelvie, who must have felt slighted when I ignored him completely in favour of chin wagging with Kieron about comics, computer games and other pointless blokey activities. It’s main protagonist, David Kohl, can’t have taken too much effort to conjure up as he is pretty much a drawn version of Gillen himself, right down to the head tilt mannerism he has. Not that it matters of course, I could write a long and even potentially interesting article of the author manifesting himself in his protagonist. Who knows, someone might even read it. Having said that, it is rather odd seeing someone you’ve met stroll around an illustrated world but eventually I got to grips with it.

Phonogram itself is a story about music and magic. David Kohl is a phonomancer, we’re not explicitly told what this term means, we’re left to discern it from our interpretation of what goes on. That’s a bonus for starters, treating the reader as though he has some intelligence rather than spoon feeding him. It’s 10 years after the demise of Britpop and Kohl hasn’t moved on- his magic is rooted in Britpop and someone is trying to resurrect the missing presumed dead aspect of God called Britannia (a cool, could have been in Pulps Common People, girl).

And basically that’s it as far as plot goes. There are a few side trips to see interesting and well thought out freaks from the Britpop era and a shed(7)load of references that you’ll miss out on if you really don’t know your stuff but they’re basically attached to the fairly simple construct the story hangs on.

Not that its bad, it’s certainly a million miles away from most of what Marvel put out, that’s for sure but unless your in to Britpop and comics, then there isn’t much there for you.

I enjoyed it myself, and I wasn’t really into the Britpop scene at the time. I think I was going through a 1970′s progressive rock phase back then, but since my better half saw Oasis play in a converted semi in Harlow, amongst other things, I do have a fairly good understanding of it all. Worth a punt then if you want something a bit different.

Dragonmount have posted a finished version of the cover to the next Wheel of Time book, due out (fingers crossed) this October in the US. It ties in with the blurb from the cover that in part says:

Matrim Cauthon prepares for the most difficult challenge of his life. The creatures beyond the stone gateways–the Aelfinn and the Eelfinn–have confused him, taunted him, and left him hanged, his memory stuffed with bits and pieces of other men’s lives. He had hoped that his last confrontation with them would be the end of it, but the Wheel weaves as the Wheel wills. The time is coming when he will again have to dance with the Snakes and the Foxes, playing a game that cannot be won. The Tower of Ghenjei awaits, and its secrets will reveal the fate of a friend long lost.

It irritated me that the whole Tower of Ghenjei resolution didn’t happen in volume 12 but I suppose it was necessary for the pacing of the novel (although not since the end of Tad Williams The Stone of Farewell have we been left hanging on so badly), so to see Thom with his gleeman’s cloak on appearing to unlock the entrance to the Tower with Matt and Noam/Jain Farstrider in attendance is pretty exciting.

I’ve just had a blitz through Amazon and preordered some books by a few of my favourite authors that are due out later this year. If you can hit the six month sweet spot for a preorder, you can often get the hardback for £10-£12, which is obviously a lot cheaper than nipping into a bookshop. The dates below are the estimated publication dates and may vary but give a good indication of what I’ll be reading in September, October and November.

The Japanese Devil Fish Girl and Other Unnatural Attractions by Robert Rankin 2 September

I Shall Wear Midnight by Terry Pratchett 2 September

Against All Things Ending: The Last Chronicles of Thomas Covenant by Stephen Donaldson 2 September

The Evolutionary Void by Peter F. Hamilton 15 September

A Dance With Dragons: Book 5 of A Song of Ice and Fire by George R. R. Martin 5 October

Towers of Midnight (Wheel of Time) by Robert Jordan, Brandon Sanderson 9 November

I don’t believe George RR Martin will get remotely close to that date for publication though, its more likely to be 2011(ish), judging by how his interest is currently rooted in convention attending at the casting for the HBO series based on the Ice and Fire series.

I have a slight backlog of Pratchett and Rankin to get through, so it doesn’t bother me that those two are provisionally down for the same day as Against All Things Ending. It does leave me with a very small window to read a very heavy duty book in September though. I absolutely love Stephen Donaldson’s genre work but its never a quick read. Unlike Hamilton’s, which I reckon I could easily demolish in a week.

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