Archive for the ‘fantasy’ Category

Against All Things Ending: The Final Chronicles of Thomas Covenant, Stephen Donaldson

Wednesday, April 13th, 2011

Against All Things Ending: The Final Chronicles of Thomas Covenant by Stephen Donaldson must be one of the lengthy titles of a book I’ve read in a while. In keeping perhaps with the loquacious nature of the author himself. Not that Donaldson is prone to excessively long novels, given that the last book I read weighed in at over 1,000 pages in hardback, it’s nice to read one thats perhaps only two thirds of that in length.

Having said that, at 120 pages in, the characters have done little other than wander round a bit and have a chat. Of course that’s a facetious comment, as much as the “Clench Game” is but it’s something I like about Donaldson in a perverse way. The first book of his I read was The Mirror of His Dreams in 1986. I was 11 and a very precocious reader. It was my third step into fantasy, preceded by some Dragonlance and started with the Hobbit. Talk about a step in at the deep end but while I waited for Donaldson to write A Man Rides Through, I devoured both Chronicles of Thomas Covenant and lamented the fact he said he wouldn’t write a third series, even though it was fairly obvious that the final volume was pretty final. This Mordants Need pair of books, of which The Mirror of His Dreams is the first, involve an inordinate amount of talking and plotting. Most of the activities take place in a few rooms of a large castle that feels like it inspired an awful lot of subsequent castles in modern fantasy. True, there is some action, and I’ve still yet to read a better series of sword fights than Artagel’s battles with Gart the High Kings Monomach, but the essence of the story is almost akin to John Le Carre’s Smiley’s People, which from memory involved an elderly spy sitting in a loft reading a lot of field reports in an attempt to spot some inconsistencies that would lead to the unmasking of a double agent. It is about people and the situations they are in. How the people react to one another is key to how things progress, so the dialogue is very important.

I’m probably the last person in the world who can objectively read a Donaldson fantasy book and give an opinion on it but I am enjoying Against All Things Ending rather a lot. The preceding volumes in this new series have irritated me by turn; Kevin’s Dirt is a form of the Sunbane, it’s nothing original, the Insequent are so puissant (to pilfer one of Donaldson’s favourite words) that it beggars belief that they made no appearance in the first 6 books that comprise the original two trilogies and don’t get me started on the likes of Esmer or Anele or I might get a little bit foamy at the mouth.

Still, for all the inherent weaknesses of the evolution of the Land this time round, the frankly embarrassing name that assigned to the previously dead Covenant (Timewarden? it sounds like something from a corny 1970′s sci-fi show!)   and what seems like a greatest hits tour of the Lands past that takes in Berek Halfhand, Viles, Ur-Viles and Caerrol Wildwood amongst others, this volume has me quite excited so far. The ante has been upped a lot, and I get the feeling the characters are at a precipice that might lead to quite unexpected results.

Full review once I’ve finished it no doubt.

The Way of Kings: The Stormlight Archive by Brandon Sanderson

Wednesday, April 13th, 2011

It’s been a couple of weeks since I finished Brandon Sanderson’s The Way of Kings. Maybe it’s even been as much as a month. I’ve needed some mulling time. It is a huge book, not To Green Angel Tower huge, but then little is nowadays, but longer than a lot of what I’ve read for a while.

My lasting impression is of a book I really enjoyed but if I were to look back, it’s taken me 4 months to read, so it’s hardly a page turner (although admittedly life has got in the way). Sanderson is getting a reputation as a chap who is extremely inventive when it comes to devising magic systems, and this is borne out well here with the use of Stormlight for various super natural purposes being well thought out and coherent. (more…)

The Wheel of Time is a Romantic Drama Masquerading as Fantasy

Tuesday, February 22nd, 2011

I’ve read the majority of Robert Jordan’s the Wheel of Time about 3 times now. I’m currently up to The Shadow Rising on my final read through (or rather listen through via the rather wonderful audio books) before the final volume is out next Spring.

It’s a lovingly crafted fantasy world, with a deep history and a well thought out magical system that does seem to fit with the universe the story takes part in but….

There is little doubt in my mind that Jordan was a huge fan of Mills & Boon. If you read carefully the fantasy elements and even the over-arching battle between good and evil aren’t actually the main story. The main story is a story of love and finding yourself an ideal partner.

Poppycock, I hear you say! Well hear me out. At the start of the novel everyone is single. Even Queen Morgase is single, and all of the main characters are definitely on their own.

By the end of the twelfth book there are so many pairings it actually looks ludicrous to list them but I’m going to:

  1. Rand, Avienda, Elayne, Min
  2. Perrin, Faile
  3. Mat, Tuon
  4. Nynaeve, Lan
  5. Egwene, Gawyn
  6. Siuan, Gareth Bryne
  7. Galad, Berlain
  8. Moiraine, Thom
  9. Morgase, Tallanvor
  10. Gaul, Chiad
  11. Loial, Erith
  12. Bayle Domon, Egeanin

So that’s 12 relationships (14 if you include all 3 of Rand’s) without any real effort, and that’s ignoring the triangle between Galad, Gawyn and Egwene, and Berlain’s attempts to steal Perrin from Faile. In fact if you were to look at all the narrative given over to the romantic entanglements between the characters, and you were to strip it out, there would be a considerably smaller series left at the end. The comedy conceit of Mat, Perrin and Rand all wishing they had the other ones facility with girls gets tiring pretty quickly but does serve to highlight how much of the series is focused on romantic relationships.

Most of Perrins story involves hooking up with Faile, rescuing Faile and being in trouble with Faile for not understanding women properly. He’s definitely the worst of the 3 lads for it but Rand is as bad, especially as Lanfear is always looking over his shoulder (or biting it).

So there you have it. Coincidence? Or design? Either way Jordan has written tens of thousands of words about romance, even if you’ve read the most part of the Wheel of Time without realising it.

Eye of the World Unabridged CD

Thursday, December 30th, 2010

I’m still reading Brandon Sanderson’s epic- Christmas got in the way of that one a bit but on the side I’ve been listening to some rather excellent audio books on the way to work.

Robert Jordan’s Wheel of Time are available as audio books in unabridged format and they’re rather good. I certainly don’t have the time for a read through of all the books before the final volume is due out in early 2012, so listening to them for the hour or so it takes to walk to and from work in the morning seems an excellent compromise.

It’s interesting to hear the written tics that Jordan has spoken by the two narrators, they sound a lot more irritating than they do on the page. David Langford once described how it invented a drinking game based around Stephen Donaldson’s use of the word “clench” in the Thomas Covenant books that involved two people opening a copy of one of the books and reading until they found the word “clench”, the loser having to have a shot. Well I’m sure you could do that with Jordan if you substituted the word “dryly” for “clench” and if I hear the phrase “‘Ta’veren’, Loial began” one more time I might have to get a bit cross.

Nevertheless, the audiobooks are very good. There are two narrators, a chap who takes the male chapters and a woman who does the female ones. One of the things it deals with nicely is the pronunciation. It’s always a bit tricky with fantasy anyway but given that this is American fantasy read by Americans, a few of the words are pronounced quite differently to how I expected. At around 30 hours for the Eye of the World, which isn’t the longest in the series by any stretch, I think my walks are going to be fairly busy for the next few months.

The Way of Kings: The Stormlight Archive by Brandon Sanderson

Monday, November 29th, 2010

I don’t often pick up books on import but the publication date of The Way of Kings between the US version and good old Blighty in this instance was more than a little ridiculous, so I bit the bullet and got the gaudy 1980′s style cover version.  Nothing says epic fantasy like a histrionic cover. To Americans at least.

This is a huge huge book. Over 1,000 pages in hardback in fact, which doesn’t bode well for the paperback version(s). I’ve not read any of Sanderson’s Mistborn series but I have read his continuation of Robert Jordan’s Wheel of Time and I think he’s doing a better job of it than the great man would have himself.

The world Sanderson has created is very different to the general fantasy worlds that are often quite analogous with our own. There is a preponderance of crustacean based creatures in these books, which definitely makes a change. The magic system is quite unique too, not as confusing at the Malazan Warrens or as formulaic as the Channelling in the Wheel of Time books. To be honest, when one of the Shen does a bit of binding himself to walls and the ceiling whilst attempting to assassinate someone, it comes across as a bit Playstation (Prince of Persia perhaps). Still, it’s top stuff.

I’m about 400 pages in but you always know when you’re reading a good book when you glance at the clock and see it’s 1am.

The Way of Kings is out on 30th December, and available for pre-order from Amazon for a more than reasonable £11.76

Towers of Midnight, Near Avendesora and Court of the Sun analysis , Robert Jordan & Brandon Sanderson.

Tuesday, November 16th, 2010
Warning: this post contains severe spoilers that may ruin the book for you if you haven’t read it first.
There is very little of Aviendha  in Towers of Midnight, a scant three chapters in fact. However the second & third chapters has such ramifications that it was difficult reading the remainder of the book without drifting back to what happened in the glass pillars at Rhuidean.
In case you don’t remember, the glass ter’angreal showed the wise ones and the would be clan chiefs the secret history of the Aiel- The Way of the Leaf and all that jazz that the pre breaking Aiel followed, much to the chagrin of the warrior like peoples they became. Of course, as Aviendha rightly points out, Rand has made this a little redundant and it’s her tinkering with the ter’angreal as a result of this that leads to the fortelling of the Aiel’s future that threatens to overshadow the finale of the series.
The key paragraph to the whole revelation is contained on the final page of Court of the Sun:
This was not like the events she had seen when passing into the rings during her first visit to Rhuidean. Those had been possibilities. This day’s visions seemed more real. She felt almost certain that what she had experienced was not simply one of many possibilities. What she had seen would occur. Step by step, honor drained from her people. Step by step, the Aiel turned from proud to wretched.
Perhaps it’s wrong to dwell on this paragraph so much but for me it almost makes the rest of the series irrelevant. This is what will happen, therefore Rand will be triumphant at the Last Battle and Andor will survive (despite the Trolloc invasion via Waygate in the epilogue).
The glimpses of the future happen in reverse chronology but if we were to put them in order,the first one occurs 17 years after the Last Battle, with the Dragons Peace still kept by everyone, including the Seanchan. This pretty much shows us that the Last Battle has been won. Obviously it doesn’t show us either how or at what cost the victory was gained but it is a bit of a suspense killer.
The final (or first if you read in order) sequence shows the “Folk”, not even remembering their Aiel heritage, rummaging through the litter of the Lightmakers as they drive through the Waste. The technology level of the Lightmakers is difficult to judge, they have motorised vehicles and guns of some description but Folk simply refer to it as magic, so it’s not really possible to judge just how far in the future it all is. It’s always been difficult to ascertain the technological development in the Wheel of Time, 3,000 years from the Breaking to a 17th/18th century level seems very slow. The Lightmakers even refer to the Folk as “bloody Aiel”, suggesting that they are remembered, even though they have forgotten their own name.
The subsequent visions show ore prospecting in the Waste, another sign of technological development, and the Aiel more humanised than the almost beastial creatures of the most distant future, and the ruthless breaking of the Aiel by the Seachan over the course of generations.
There are of course more details like the betrayal of Andor, the fall of the White Tower, the residents of the fallen Black Tower fighting a guerilla war and so on, but ultimately it is the vision of the Seanchan triumphant and the Aiel utterly defeated that lingers.
Is that it then? Is the victory at the Last Battle a pyhrric victory that sees the Seanchan cultural and intolerance of Channelers eventually obtain dominance? Obviously life under the Seachan is better than life under the Shadow but it still reeks of failure and leaves a bitter taste in the mouth.
Hopefully this gets a better resolution than some of the other stories in the final volume, time will tell…

Towers of Midnight, Book 13 of the Wheel of Time by Robert Jordan and brandon Sanderson

Wednesday, November 3rd, 2010

Towers of Midnight finally hit the shelves yesterday. Rather than a speed read, I’m savouring it, especially since early indications are the final volume is going to miss November 2011 and will be available spring 2012 instead.

I’m only 150 or so pages in so far but am enjoying it  a lot. Still impatiently awaiting the appearance of Mat and his trip to Jain Farstrider and Tom to the Tower of Genji though.

The book weighs in at over 800 pages so it may take me a few more days to finish this one. Then I can get onto the penultimate Thomas Covenant book. Great books, they’re like buses eh?

Gardens of the Moon (Book 1 of The Malazan Book of the Fallen) by Steven Erikson

Monday, July 5th, 2010

I can’t quite believe its been two and a half months since I started reading Gardens of the Moon. Admittedly I have read other books in between but the length of time I spent reading this might give the wrong impression. This is a fantastic book. It’s sprawling and messy and annoying in places but the world and most of the characters more than make up for that.

There is a review on Keeping The Door that is a lot better than anything I could write- it deals with the complex structure, McGuffins and fantasy tropes really well and is worth a read.

So instead of regurgitating much of what Renai Lemay has said, I’d like to focus on a few of the things Erickson does well that make this stand apart from a lot of the other fantasy that’s about.

The system of magic that is used is complex, bewildering and initially almost completely unintelligible. This is great. Part of the thing about magic is that its supposed to be magic. If I’ve been told by the end of the first few chapters how the system of magic works, I’m either reading David Eddings Pawn of Prophecy or I’m reading an author who lacks the skill to deal with exposition without a dreary monologue from one of the characters (hey, perhaps its both). By the end of the book the system of magic based around warrens makes a lot of sense. That’s not to say it’s perfect; there are a few occasions where it seems Erickson drops a new warren or quirky rule in just to further the plot but this isn’t too instrusive. Unlike the demons in vials, which are more irritating.

The system of Gods is also worthy of mention. It’s divided into the Elder Gods, who nobody seems to pay much attention to any more, and the younger upstarts referred to as the Ascendants, who seem to take great pleasure in interfering in a way more akin to the Greek pantheon than via prophets or whatever. Logically the name Ascendant assumes that they have ascended, suggesting they were mortal at some point. There are several clues in the text that make veiled reference to this. Hopefully the next volume or two will make it clearer.

The whole concept of Moons Spawn is really rather interesting too. A city sized chunk of rock with a city on it flying around with a bunch of alien warriors and wizards on it should frankly be crap- it’s straight out of some multi author series but again it is handled very well. Amomanda Rake is an interesting character, as the Ascendant Lord of Moons Spawn he remains somewhat enigmatic throughout and as the individually most powerful wizard its interesting to see the other wizards reactions to what he can do.

Some of the characters such as Whiskeyjack, Tattersail and Crokus are pretty likeable but a lot of them aren’t. Much like a lot of the gritty fantasy that followed in its wake (this book is over ten years old now), Erickson isn’t afraid of writing an unlikeable character and he does it well enough that it isn’t a turn off to any one reading the book.

Gardens of the Moon isn’t an easy read by any stretch of the imagination but it is rewarding. A modern classic in my humble opinion.

Phonogram: Rue Britannia by Jamie Mckelvie and Kieron Gillen

Friday, May 28th, 2010

I bumped into the dynamic duo of Jamie Mckelvie and Kieron Gillen at an under attended comic convention in Hatfield recently. I was on my way back from a free screening of a Ben 10 film with our 3 year old that my wife fortunately escaped. Mr Gillen was vaguely known to me via his journalist efforts of the past decade or so and it had been an interesting experience to find out he was taking over writing duties on Marvel’s The Mighty Thor- one of their top titles.

Phonogram though is Gillen’s own title, adeptly illustrated by the pen of Mckelvie, who must have felt slighted when I ignored him completely in favour of chin wagging with Kieron about comics, computer games and other pointless blokey activities. It’s main protagonist, David Kohl, can’t have taken too much effort to conjure up as he is pretty much a drawn version of Gillen himself, right down to the head tilt mannerism he has. Not that it matters of course, I could write a long and even potentially interesting article of the author manifesting himself in his protagonist. Who knows, someone might even read it. Having said that, it is rather odd seeing someone you’ve met stroll around an illustrated world but eventually I got to grips with it.

Phonogram itself is a story about music and magic. David Kohl is a phonomancer, we’re not explicitly told what this term means, we’re left to discern it from our interpretation of what goes on. That’s a bonus for starters, treating the reader as though he has some intelligence rather than spoon feeding him. It’s 10 years after the demise of Britpop and Kohl hasn’t moved on- his magic is rooted in Britpop and someone is trying to resurrect the missing presumed dead aspect of God called Britannia (a cool, could have been in Pulps Common People, girl).

And basically that’s it as far as plot goes. There are a few side trips to see interesting and well thought out freaks from the Britpop era and a shed(7)load of references that you’ll miss out on if you really don’t know your stuff but they’re basically attached to the fairly simple construct the story hangs on.

Not that its bad, it’s certainly a million miles away from most of what Marvel put out, that’s for sure but unless your in to Britpop and comics, then there isn’t much there for you.

I enjoyed it myself, and I wasn’t really into the Britpop scene at the time. I think I was going through a 1970′s progressive rock phase back then, but since my better half saw Oasis play in a converted semi in Harlow, amongst other things, I do have a fairly good understanding of it all. Worth a punt then if you want something a bit different.

Towers of Midnight, Book 13 of the Wheel of Time, Robert Jordan and Brandon Sanderson

Wednesday, May 26th, 2010

Dragonmount have posted a finished version of the cover to the next Wheel of Time book, due out (fingers crossed) this October in the US. It ties in with the blurb from the cover that in part says:

Matrim Cauthon prepares for the most difficult challenge of his life. The creatures beyond the stone gateways–the Aelfinn and the Eelfinn–have confused him, taunted him, and left him hanged, his memory stuffed with bits and pieces of other men’s lives. He had hoped that his last confrontation with them would be the end of it, but the Wheel weaves as the Wheel wills. The time is coming when he will again have to dance with the Snakes and the Foxes, playing a game that cannot be won. The Tower of Ghenjei awaits, and its secrets will reveal the fate of a friend long lost.

It irritated me that the whole Tower of Ghenjei resolution didn’t happen in volume 12 but I suppose it was necessary for the pacing of the novel (although not since the end of Tad Williams The Stone of Farewell have we been left hanging on so badly), so to see Thom with his gleeman’s cloak on appearing to unlock the entrance to the Tower with Matt and Noam/Jain Farstrider in attendance is pretty exciting.